The most striking feature of these costumes is that they were “fitted,” much like today. At the time other civilizations went more on the arrangement and fold of the fabric than the cut of the garment itself, Minoan statuettes show them to be tailors, conscious of exact form and fit.

METAL COUTURE BY MANUEL ALBARRAN

The term form follows function is an architectural term, yet fashion’s adherence and/or rebellion to this principle has cleverly excited us through time.

Medieval coats of mail, witchdoctor’s headdresses, décolletage (French term for “low neckline”), mini-skirts, bustles, neckties and wigs have subconsciously affected the psyche of us all throughout the ages and usually without us thinking about it. A great suit can nail the job, a beautiful woman in the right outfit has sent men to war.

Fashion is legislated by choice in many organizations and by force in some societies. All this from that fateful day when they adorned themselves with figs as God asked, “Who told you that you were naked?” (okay, another story). Amazing!

Where was I? Oh yeah, costumes. Where are they going? What will we wear when we finally get off this freakin’ planet and go to say – Alpha Centauri. I thought by now, we’d be wearing the George Jetson look that came out in the 60s at least. If you’re too young to remember and haven’t seen the syndicated reruns – you must find them. I won’t go any further.

Incidentally, Alpha Centauri is the star system nearest to our own, and the likeliest to possibly have extra-terrestrial life, even if that is on a different dimensional level. If I ever go and I don’t have to wear some kind of space suit, I’m wearing jeans. I can’t change now. If they had had jeans on Crete in 1600 B.C., I would have worn them. They are the greatest invention fashion ever fashioned. Okay, I digress.

BABYLON, A MOTHER OF FASHION

Much more “modern” than the Minoans, the Babylonian Empire was at its height around 550 B.C. a Wonder of the Ancient World — most famous for its “hanging gardens.” Babylon was a “melting pot,” much like the U.S. is today. The Babylonian Empire extended from Turkey to Iran, down through the now-contested Israel-Palestine territories into Egypt and the borders of Saudi Arabia. Babylon often took prisoners of conquered nations, carrying away the wealthy, the educated and highborn to their capital city, as “show-trophies” and to enhance their cultural diversity and prominence.

Though now a hot spot in the “war on terrorism” and civil unrest, it is considered one of the birthplaces of modern civilization, in fact, the “cradle of civilization” as a whole. Much of today’s ideology and ideas about commerce, religion and family structures (even math) had its origin in Babylonian territory, and of course there’s the “fashion and art”, striking then and striking now.

For most of the Western world, the ancient Babylonian-styled fashions probably most commonly resemble the Christmas card guys. That’s what it looked like (to me). Everybody dressed like the “wise men” from the East and whether you like it or not, that is one of the most powerful images in the world. Three wise men going to visit the baby Jesus, usually with a camel or two in tow, or riding them, and a few boxes of gold and frankincense and myrrh. What a powerful fashion statement. It has lasted and been popular for not centuries – millennia. That is great design! Actually, there are traditionalists who still dress like that. So, fashion even in our modern holiday art looks like ancient Iraqis and the cultures they influenced. Makes me say–, along with the mechanical singing-children in Anaheim, CA, Orlando, FL, and Tokyo, Japan, (wherever Disney’s “Magic Kingdom” is found)– “It’s a small world after all.”

VIKINGS AND VAMPIRES

The often stereotyped, yet usually aptly described “testosterone-based” Vikings don’t usually bring to mind “high fashion.” But these men were quite the fashion hogs (as opposed to divas) if you look a little closer; and the creative side of their ire is rather admirable. Sure they had the generic trousers, stockings, undertunic, overtunic, coat and cloak, but “oh — those accessories…” (We will go into this more in future articles … I’m drooling just thinking of it . . .)

Vampires? (Someone might be asking, “do we even have to “go there”.) “Definitely” if we’re talking “fashion influence.” Bella Lugosi’s “Dracula” — Tom Cruise and Brad Pitt’s portrayal of “Lestat” and “Louis” — Anne Rice’s Interview with the Vampire — modern Goth — all have this certain dark romanticism and like them or not, you definitely look twice — there is definitely a certain fashionista power. The ones we see portrayed have this curiously juxtaposed sense of integration and myopic balance that somehow translates into an evocative taste for refinement, culture and grace, however garish or potentially grotesque the ends may be. (To the reader: Should one use the word “taste” in the same sentence as “vampire”? Just curious.)

YOU CAN’T LEAVE OUT THE FRENCH

Where would fashion be without those over-the-top frilly and sometimes silly-looking cuffs? Fashion for men would have been forever boring. (Look at some of the English costuming of the same time period. Egad! Boring. Just like tea and crumpets. Drab. And they had to get the tea from the East Indians just to have that! I have an English grandmother; it’s ok.) Back to the French—begs the question … “What would “Prince” have worn during this era?” And somehow Marie Antoinette being French with all of those gaudy gowns makes the whole “let them eat cake” and guillotine bit a smidgen less distasteful. O.K., I’m overstating it a bit; but we would not be making movies about it, if she had worn a simple black dress. No, humanity is a complicated, very surface-oriented lot that can be wooed by outside appearances all too easily. Let’s face it – we really do need a Savior. Or not – our choice – right? (okay, I digress).

Then there’s New Orleans. Can you imagine New Orleans or Mardis Gras without French influence? And it’s amazing how predominately French-speaking and culturally influenced – Haiti can have some of the poorest people on the planet, yet most of them seem to dress well and have a supreme sense of fashion. No doubt, partially due to the French influence, aside from the fact that Haiti’s predominate population are descendant from African immigrants, which also definitely has some input on the “fashion sense.” This brings us to another interesting part of the fashion equation.

AFRICA

Africa’s fashion and its co-equal passion – art – has been a fascination and rich resource for the world’s cultural pallete since time on Earth began. As the Cradle of Civilization, ancient Africa enjoyed a multitude of cultural expressions and exchanges that up to this day have both confounded and amazed outsiders. The early Dogon people mapped the stars and were the source of ancient astronauts hypotheses proposing that intelligent extraterrestrial beings visited Earth and made contact with humans in antiquity and prehistoric times. The expanse of the geographic continent of Africa can contain the land masses of the U.S., Russia, China, India, Portugal, Spain, France, Germany, Italy Eastern Europe and the U.K. Africa’s people have an equally broad cultural footprints whose influences have extended to all of the world. Design and clothing was crafted to not only cover the body but to convey deep elements of protection, destiny, fertility and prosperity.

Many attributions and origin credits were not always awarded to Africa. Scholars worldwide now recognize Africa as the source of our common human ancestry. In 1974, Senegalese scholar and humanist Cheikh Anta Diop shocked and challenged historians by asserting the influence of ancient African civilizations in his groundbreaking book The African Origin of Civilization: Myth or Reality. We were happy to see the The 2024 Met Exhibition pay homage to Diop by presenting masterpieces from the Museum’s collections from west and central Africa alongside art from ancient Egypt for the first time in the Met’s history.

Perhaps like no other continent and people, next to Mesopotamia’s influence, Africa has contributed to the rich heritage of music, art and fashion of the modern era like no other. Runway modeling and many of the “severe” beyond-modern-reality fashion “looks” are embedded with the heart of the African continent’s expression of unique abundance.

Where else do you find diamonds, sahara, rhinos, giraffes, lions, tigers and zebras all on one stage? Africa is continental haute couture!

WHERE ARE WE NOW?

The discussion of fashion as art would be incomplete without mentioning the underground “Vogue-houses” of Harlem, originating during the early 20th Century’s “Harlem Renaissance.” Voguing as a dance, combined poses “struck” by fashion models with acrobatic dips and spins. Vogue balls were centered in pithy social commentary decades before the infamous protests of the 60’s. It is believed the phenomenon originated when fashion oriented-houses developed as an alternative to gangs. They competed for fashion élan — not turf. (Perhaps we should revisit!)

THE E-GOWN

We have arrived. It’s a small world after all and thanks to the digital advances in the 21st Century — consumers can now purchase everything from handbags to wedding gowns from Algeria to Zaire. E-Gown searches will yield everything from wedding and prom dresses to personal support wear as well as cat, dog, rabbit and other petmedwear. You’ve heard of Ross Dress-for-Less — well now, you can “cross-dress” for less. (Author: O.K., that you can and must edit out, just some humor as this is my last paragraph. Reader: This is a real note from the writer but I will not edit it out, I think it’s funny. Editor)

TO “WRAP-IT-ALL-UP”

In this “time machine” view of talking about “fashion”, there is one idea that I think defines FASHION ITSELF. “Wrapping!” Fashion is the wrapping of the body. So, let’s not forget the “wrapping” when we give. It’s one of the most important elements to gift giving. Think of all the ribbons, bows and boxes that our favorite fashions are delivered in. Then there are the padded pink-flowered silk covered hangers that fine attire is draped on in “fine closets everywhere.” That’s art! It’s not always what you give, but HOW you give it . . . I know someone who spends time tediously curling individual split strands of “ribbon” that wrap a designer or other high -or- low end gift package. The delight and anticipation that receiving this gift brings is almost as important as the gift itself — because presentation is sometimes everything and certainly one of the illusions that spark our emotions and imagination.

Forrest Gump had it right when he said, “Life is like a box of chocolates. You never know what you’re going to get.” But I also like to think– “Life is like a box at Macys.” (Or in my case, it’s American Eagle, or Urban Outfitters.)—You don’t know what you’re gonna get, but usually there’s an exchange policy. If you can’t return it, then like life, you can accept it with gratitude and learn to enjoy the intricacies of pattern, textile, color and form knowing that like life, fashion is an ever-evolving, though sometimes challenging quest. It is exactly for that reason that fashion and art are “challenging” and to create and maintain one’s sense of it, requires nothing less than a “quest” mode.

It is an accomplishment to create an artful place of existence and form —an experience to be en-joy-able for a time. It is an act of love really – for its recipient and those gifted to share its vibrancy. Both fashion and life exist to challenge boundaries, expand and embrace cultures and times and peoples in a burst of creative energy and a zeal that made the whole project worthwhile.

Regardless of your fashion choices, be sure to allow for clothing the thoughts of your mind – with spirit, consciousness, information, awareness and hopefully an increasing wisdom … for the times they are a changing.

Sentinel R. Faire is a free-lance writer currently working to create a social enterprise benefiting the “working poor.”

Sources include: www.fashion.about.com, www.costumes.org, www.fashion-era.com, www.netcontrol.net